Well, we just about made it through week one before the press showed up. See the article here: VANGUARDIA NOTICIAS

Joel (our director) claimed that he wanted to shoot this film on the down low, not attracting any attention – especially that of the press. But my gutty parts tell me otherwise. Look at that “working pose” he strikes in the Vanguardia article. Something tells me he’s enjoying this. And here are some more photos from the week!!

Actors Ben Chamberlain and Kristen Barrett

Kaelin (actor) getting bloody ...

Gabe, Eric, Joel, and Mike involved in man talk

We didn't know how to film the scene where the car hits Ben without making it cheesy. So we just hit him.

We're filming with this stud, Ernesto D'Alessio. The senoritas love him.

Ernesto's adoring fans show up all the time and he delivers autographs like I deliver high fives. Quite freely.

More soon. Thanks for tuning in.

The first Gorilla production of the year begins this weekend! The Lost and Found Shop, a short film written and (to be) directed by Caleb Alexander Slain, will be filming over the weekend in Spring Lake, Michigan on the RED Cameras and ARRI Master Primes. The production is ambitious (71 shots kind of ambitious), and with 45 people (crew, company, and cast) on set Sunday, we can promise one of two things: A.) Joy, elation and high fives when we get off 40 shots and finish an hour early or B.) Caleb’s body is dumped in Spring Lake and found in the spring thaw along the shore. Let’s hope it’s option A! Because The Lost and Found Shop is slated to be entered in the Doorpost Film Festival and if all goes right in the world of film production, we’ll need Caleb well into the spring. The turnaround on the edit will be quick so check back soon for more information.

And, lastly, for your entertainment: Peter Pan Play

The link has nothing to do with Gorilla’s production company or The Lost and Found Shop. It’s just funny to laugh at high school plays that go horribly wrong. And watch the whole thing. It only gets more delightfully cruel. (My favorite parts — at 0:23 a guy in the audience makes the most underrated statement of the year and 1:17 is just … great.)